The Greatest Non Hits

Nina Sky: Self Titled Album

• Chris & Tim • Season 4 • Episode 15

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Ever wondered how a hook can change the room before you even realize you’re dancing? We revisit Nina Sky’s self-titled debut and the lightning-bolt session that birthed Move Ya Body in about twenty minutes, unpacking how a global riddim, sharp production choices, and twin harmonies fused into a sound that defined countless nights out. From Puerto Rican roots and a Queens upbringing to the Coolie Dance riddim supplied by Cipha Sounds and the Jetsons’ studio touch, we pull on every thread that made this record both a radio staple and a deep-cut treasure chest.<br><br>We don’t stop at the single. You’ll hear us sit with the R&B core that powers tracks like You Deserve It and Let It Go, where the writing is tender, direct, and emotionally clean. We break down drum pockets, tremolo lines, and why minimalist rhythms make dance floors breathe. Goodbye and Your Time open a window into intimacy and misalignment; Runaway channels the urge to escape chaos without glamorizing it; Surely Missed holds grief and memory with restraint. Then there’s Temperatures Rising, an acoustic-leaning standout whose nylon-string warmth and layered harmonies feel close enough to touch.<br><br>Along the way, Tim shares a vivid Williamsburg memory—water tower skyline, a DJ rinsing that riddim, a $25 drink that turned into a keepsake—showing how personal moments fuse to songs and never let go. We spin the full album, weigh the genre alchemy of dancehall, reggae, reggaeton, and R&B, and close by picking our three favorite non-hits. If you love understanding why certain records live forever in clubs and in heads, you’ll feel right at home here.<br><br>Hit play, ride the beat with us, and tell us your top deep cut from the album. If this resonated, follow the show, share it with a friend, and drop a review to help more music fans find us.

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SPEAKER_01:

We we knew it was special. We wrote the song so fast. You know, me and Natalie at our core were RB artists, and we like to write these really deep, meaningful, melodic, you know, big songs. Temperatures Rising is one of those songs. We wrote it on a guitar, faded memories, we wrote it on a guitar, goodbye. You know, we had written all these like singer-songwriter kind of RB songs. And then when we got the opportunity to write Move Your Body, Cypher Sounds had given us the coolie dance rhythm. We went into the studio with our production team at the time, the Jetsons, Elijah and Lionel. And we just got to it. And in 20 minutes, 20 minutes, like 20 minutes later, we were like, yo, like, this is a banger. Yeah. Wow. Like.

SPEAKER_13:

All right. Thank you for listening to Greatest Not Hits. Uh, my name is Chris, and playing Move Ya Body by Nina Sky is my co-host Tim. And the album today is Nina Sky's self-titled debut album that came out in 2004. Uh Nina Skye is are our identical twins. Uh Nicole and Natalie Albino. Uh native to Puerto Rico uh at a younger age after parents' divorce, moved to Queens, New York, and uh I guess they grew up there and eventually um you know made it big, you know, in the uh in the DJ world, in uh the reggae hip hop, reggaeton, dance hall genres. There's a lot of R and B mixed in here. Um so yeah, I'm sorry, Astoria Queens is where they grew up. So you get you get the picture. So anyway, the Nina are the first two syllables of their name. So the NI represents Nicole and the N A is Natalie. So Nina, and then Skye is intended to represent uh the independence of their twins. So, anyway, there you go. Um yeah, they they talk about uh in 2003 there was the gr uh the Jettisons, uh which is Elijah Wells and Lionel Birmingham. They introduced the girls to Cypher Records, which is uh hip-hop DJ under the Star Trek label owned by the Neptunes. Uh Cha Sounds is impressed, and so they they used the coolie, the coolie dance rhythm. Uh then they then they wrote from there they wrote Movie A Body, and I guess it drew the attention of Eddie O'Laughlin, president of the Next Plateau Entertainment, signed them to a contract in 2004, and uh they had their first concert under the current name of Club Demara. So, anyway. That's like the beginning background. So like several months later was when this album was released. Uh it features Jabba and Betty Wright. Um and it's got about 14 tracks, it's only around 47 minutes long. So anyway, as we always do, we're gonna listen to all the songs, and then at the end, we're gonna determine which of the great the which are which three of the non-hits we like the best. Um so Move Your Body is uh is released as a single. And uh yeah, there was uh another single that was released, I believe it was Turnin' Me On. Yeah, Turnin' Me On Yeah, so that was released later, like in November of 04. Uh Movie Body was released in April of 2004, and then the album was released in June, so it's kind of these things released o over the course of that that year. So anyway. Uh what else can we say about this album? Yeah, there's okay, so it's got some dance hall, which I guess is a genre. Uh that goes back to the 70s in Jamaica. Or I'm sorry, Puerto Rico. I think it originated in Jamaica, but it kind of uh progressed to Puerto Rico in the 90s. Well, dance hall, I think, came out in the 70s. It's sort of like a faster, more aggressive, hard-hitting kind of a thing from reggae. Um it's got like sparse reggae rhythms to it, whereas reggae is like a classical run like a one-drop drum pattern. Um But nevertheless, uh it all comes from that. And then mixed and weaved into that is hip-hop rapping over it. You know, that's where the reggae-tone, I think, comes in. That's like after the Yeah, the dance hall. So anyway, so those are the the genres associated with what we're gonna listen to. And uh I, for one, you know, I I'm starting to come around to this. I mean, I I like reggae. You know, it's uh it's fun, it's upbeat, it's more authentic than anything that you come across nowadays. Everything just seems to be just kind of electronic or AI or I I don't know. But this is uh 2004 at this point in time. You know, they're the girls were young, I don't know. They're probably in their early mid-twenties. Um but yeah, it's got some spunk to it, you know. Um and as we do in all of our episodes, man, we're gonna we're gonna yuck it up. Uh we've got some special guests uh in the sound clips, we've got Ricky Martin, we've got uh the jerky boys Egyptian magician. We pulled that out of our asses, kind of. Um there's uh who else we got? We got Tony Perkis Jr., uh Ben Stiller's guy from uh from Fat Camp. And uh Yeah, it's gonna be some good stuff. And Tim Tim's a big fan of this album too, by the way. I guess yeah he's got a story and we're probably gonna hear it pretty soon. In fact, I'll probably I'll prompt him to to get into it when we uh when he comes in because he's packing things up right now. But apparently he heard them I he saw them or they were playing it in uh at a bar that he went to a few years ago in uh in New York City uh with his girl. And uh yeah, it it kind of stuck with him. He kind of came became a little obsessed with it, maybe. I don't know. He can tell you that or not, but he's a big fan of this, and he's a big reason why we're we're listening to this album today. And I I'm a fan as well, so with uh he sat down, so Tim, how you doing, man? Oh my gosh. Well good, yes. You gotta you gotta give us the background. Um tell us a little bit more about that.

SPEAKER_03:

Uh well we had a wedding in in Williamsburg, New York, and it was just the DJ was just playing the song. A good extended cut, you know, and remixing the song in this beautiful water water tower bar. It's the water tower bar at the Williamsburg Hotel. Shout out to the staff there. Um excellent, excellent place. There it was. It was such an amazing backdrop to have this song playing, and then I just was like, who who is this? Who it was it was like the snake charmer. It had me, you know, it was just like totally just in this trance, you know, and there's all these just what's a snake charmer doing something like anything like that? And they're like, that'll be twenty twenty-five dollars for a vodka soda, and then you're you know you're like wow, and then you take then you take pictures of the city, and there's like a little um you can go outside, but uh wow, such a cool little DJ. Yeah, just the whole memory of it, you know. It was like all the girls were dancing to move your body, girl, and I was just like, this place is awesome. Sure. We it already had a wedding, so it was just a little uh what do you call it? A t a tie one on situation. But oh, of course, yeah, you have no, I haven't seen them live, but that'd be amazing.

SPEAKER_13:

Well, cool. I bet you if they do, if you see them live, I'd kind of like to hear the in intro. There's this like this kind of cool intro.

SPEAKER_03:

You want we'll start there at the beginning. Should we start this little jerky boy snake charmer?

SPEAKER_13:

Yeah, yeah. Let him tell the story, I don't know. Whatever you want.

SPEAKER_08:

I must need a problem with my eye. I have to do it.

SPEAKER_13:

There's this Well, you kind of hear there's sort of like this Egyptian, like the tune in me like Yeah.

SPEAKER_03:

Shout out to the snake owners out there. Yeah. Um, you gotta be careful. And um Yeah, let's just dive in here.

SPEAKER_13:

Okay. Yeah. The first one is uh Nina Sky is.

SPEAKER_12:

A lot of people have access.

SPEAKER_03:

They're defining themselves. That's good. Like every homework assignment, you have to have a thesis statement.

SPEAKER_12:

That's good. Nina Sky is family. Sisters, twins. Nina Skye is limitless. Nina Sky is limitless.

SPEAKER_13:

Shout out to Brandon. That's kind of new or two.

SPEAKER_12:

Nina's sky is music.

SPEAKER_13:

We are here for the music. Nina Sky is harmony. Okay.

SPEAKER_12:

Powerful, fragile. It is fragile. Abstract basic sunrise and sunset. Nina Sky is ballad.

SPEAKER_03:

The yin and yang. That's right.

SPEAKER_12:

We are Nina Sky. We are Lena Sky.

SPEAKER_13:

Was it Nicole's a lesbian? Uh not sure. Yeah. Here's the song. So this is the movie Body. And this is Java. Just Tim and the club. Oh yeah, and he's a all of his senses are just firing right now. Oh my gosh. Just in New York City,$25 drink.

SPEAKER_03:

$25. But this song comes on. So it makes it all better. It's right. Drink was kinda like that cobra. Stabbed me in the eye.

SPEAKER_08:

If you don't like it, then it's bumblebee.

SPEAKER_02:

Hold my hips.

SPEAKER_10:

Oh gosh. Rind the hips.

SPEAKER_04:

No, some good raga.

SPEAKER_10:

Wait the fellow flow.

SPEAKER_12:

Make the fellow roll. Make the fellow. Make me ride it.

SPEAKER_03:

Whoa.

SPEAKER_12:

Take it. From head to toe. I feel your flow.

SPEAKER_13:

That's a good song to play the round fifteen, eleven thirty.

SPEAKER_12:

Don't stop moving and make me things are starting to kind of peak.

SPEAKER_03:

That riff. This it's like a high-pitched tremolo. It's this little body.

SPEAKER_08:

I'm working on street performer. I work with one uh cobra. The thing went crazy because I played the wrong tool and it hit my eye with the teeth. Okay, you need to call down the eye hospital and go straight there.

SPEAKER_03:

I love shine through the dark. There we go.

SPEAKER_12:

I can my heart gets a speed of that.

SPEAKER_03:

They don't usually play the song at Slow Wine. What is that? That's why.

SPEAKER_08:

If they don't like it, then they just stuck me.

SPEAKER_03:

Stung you alright. It stung you alright. That girl stung you with her moods. She's like a honey badger. She doesn't give a shit. She's a strong, independent woman, and she doesn't give a shit about you. Ooh. Does she care about your business?

SPEAKER_09:

Not gonna interfere in our business.

SPEAKER_03:

Is she not? Snake Charmer. Indiana Jones. Sure. Do you like a girl to in interfere with your business, Indiana?

SPEAKER_09:

We're not gonna interfere in our business.

SPEAKER_13:

That's right. Alright, that one was written by Nicole, I guess. I'm just reading.

SPEAKER_03:

Got a little Apple Apple tunes. A little F minor added. Yeah. You know. Do do do do do do.

SPEAKER_09:

You don't have to listen.

SPEAKER_03:

Little Egyptian magician, right?

SPEAKER_09:

You need to beat up the date. I'm talking about.

SPEAKER_13:

This is you deserve it. Like that cord. This is that RB over top.

SPEAKER_12:

You can do that all by yourself.

SPEAKER_13:

I like this, isn't it?

SPEAKER_12:

Who cares for you? Don't you know, girl? It's time you learned. Who are those do?

SPEAKER_03:

It's a good raga. I like the different drum beats there.

SPEAKER_12:

Mixes it up.

SPEAKER_03:

I bet they always chatter. They're always chattering. These sisters. Oh yeah.

SPEAKER_13:

Well, like she said, you know, brings them all together. So cool. Yeah. Kind of cool, like you get this big hit on the charts, and people are listening to stuff in the clubs, and you're listening to you're watching everybody digging it. Yeah.

SPEAKER_03:

They seem like level headed. Yeah, you know. Well spoken, yeah.

SPEAKER_12:

I advise it's time for you. You need a lot of gold. Nothing's supposed to hurt. Don't wanna see you cry no more.

SPEAKER_03:

It's okay to go up to the club and get a box tail. Dance your ass off. Maybe this is about that after her time that they spend enough as sisters advising on in love. I love stuff. Man woman, either or.

SPEAKER_12:

Don't we all deserve stuff?

SPEAKER_13:

Yeah, it's not like depraved. You know, it's it's very no more, you don't have the hurt no more. This is like a song you play like when you're having like a tender moment.

SPEAKER_03:

Oh, another man. Another man. Get another man.

SPEAKER_12:

You don't have to hold on. Somebody will be glad to get a woman like get a new hand.

SPEAKER_03:

Yeah. Drop the zero. Fold it, fold this hand and pick up a new one. Yeah.

SPEAKER_13:

Discard three and pick three up. We're playing drop over, you guys surprises me over here.

SPEAKER_06:

It's the mileage. Thank you, Annie.

SPEAKER_13:

Alright. That was a very that was a beautiful song. Alright, we got Tournament. Is this gonna be a non-hit? Oh. Have you ever seen someone?

SPEAKER_12:

Other than that, you thought was so sexy. Even though you had a man.

SPEAKER_03:

I think it's still a non-hit. Okay. Thank you, Garth. She's not looking at you, Garth.

SPEAKER_12:

It's turning me off way to the slow. Makes me want you even more.

SPEAKER_03:

Shout out to the chat flips.

SPEAKER_12:

It's winter time. You're turning me. You're turning me all alone tonight, and uh left my man at home. I can get you out my sight. I know this feeling is so we do let you know how we feel.

SPEAKER_03:

Oh, I like that. Noodles needle squeak.

SPEAKER_12:

Sounds you're turning me. You're turning me. So attracted to this be small. And the even right we can kick it on the side.

SPEAKER_03:

Oh next.

SPEAKER_12:

What do you can do? We'll have a private party for just me and you.

SPEAKER_13:

He just wants to get out there.

SPEAKER_12:

Little Vita looked like a little bit of a little bit of a don't know if this is wrong, but don't mind if it's a good thing.

SPEAKER_07:

Oh, oh, oh.

SPEAKER_08:

I'm working on the street.

SPEAKER_12:

You're turning me on. You're turning me on. So attractive.

SPEAKER_07:

Good drama. Great look. Good drama. Yeah. Oh, you know what I'm talking about. You're turning me on. You know what I'm talking about. Like a boy. Oh, we know what I'm talking about.

SPEAKER_00:

You know what I'm talking about.

SPEAKER_13:

Alright, cool. Alright. That was a good one.

SPEAKER_03:

Alright, let's uh this is Let it go. That was one of our better remixes. Yeah, I like that, yeah.

SPEAKER_13:

That was uh, it's a new genre called Timma. Timatron.

SPEAKER_03:

Timatron. Dance all day is Timatron. It's right.

SPEAKER_12:

Like those things you say. Acting like you were feeling me. Your voice come on.

SPEAKER_13:

Great looking drummer.

SPEAKER_12:

Wow. It's good rabbit. I like this one a lot.

SPEAKER_03:

Let it go.

SPEAKER_12:

And gonna play no more. Let it go. Let's just let it go. No for sure.

SPEAKER_03:

For sure. Ten bugs. Let it go.

SPEAKER_12:

Let it go. Let it go. Let it go.

SPEAKER_07:

Just life just keeps happening.

SPEAKER_12:

We can't work it out.

SPEAKER_07:

Life is like, hey, guess what? Let it go. You're like, boy, uh it's like bam! More life. It just never stops giving you more life. That's life.

SPEAKER_12:

You exaving now. Ain't gone away.

SPEAKER_07:

You better get today.

SPEAKER_12:

Oh, and don't forget your things. Gold and your dying. I would pawn those things.

unknown:

Don't mess with me, baby.

SPEAKER_07:

Giving me more lies. That's why.

SPEAKER_12:

I ain't gonna play your game.

SPEAKER_07:

It just never stops giving you more lies.

SPEAKER_03:

It's a lot of shit that builds up in life. You know, it's true. Sometimes you have to go to the hospital.

SPEAKER_12:

We can let it go.

SPEAKER_03:

Trying to like normalize it. Normalize it. Normalize, stupid, boring. This is not that.

SPEAKER_12:

Take it slow. Let it go. Let it go. Now sorry that we didn't make it through. Just sorry that I ever got you. And all the shit you ever put me through. Let me show you what I can do. Your things are packed, your car over fast, your money's gonna be a good one. Stop calling me. Yeah. I told you it was over. Live your life. We can work it out. I'm working on you just thinking around here. I must leave that problem with my eyes. Alright, let's go. We can't work it out. Let's just let it go. I don't want you.

SPEAKER_03:

That's so funny.

unknown:

Uh oh.

SPEAKER_03:

Oh, good guitar work here.

SPEAKER_08:

Let it go. Let it go.

SPEAKER_13:

Alright, that was good.

SPEAKER_06:

It's the mileage.

SPEAKER_13:

Alright. Let it go is a good song. This is good. Let it go is solid. Strong. I'd say strong to quite strong. This is called goodbye. Goodbye interluder.

SPEAKER_12:

Oh on a guitar. Let me try to follow. Um I said it to let you know that I'll be leaving some of the once a goal, but you push me to this point. I don't know what to do. I figured the first step was to let you know it through. I'll be gone by morning time. Won't ask you if you care. You never showed you this.

SPEAKER_03:

Never showed you this. Yeah.

SPEAKER_12:

I don't wanna be with you to the guitar play. Goodbye.

SPEAKER_13:

Just simple lines intertwining.

SPEAKER_12:

Yeah, I have to play that for me. Calm down, Natalie.

SPEAKER_13:

That's nice. Okay. So it's gonna be your time. Shout out to Spikoli.

SPEAKER_05:

If I'm here and you're here, doesn't that make it our time?

SPEAKER_13:

That is true.

SPEAKER_12:

When we first met, I was wrong to you. Attracted to a style, your brand new suit. Didn't take that long to follow. Sounds that sort of like built this phone, it became so strong. But as time passes, changes are visible. Alright, work more. Wondering what's going on, was taking up your time. My friend saying that you're cheating. Should I leave the side? Move on and find some beds.

SPEAKER_03:

Should I write more letters?

SPEAKER_13:

Space sound effect. Yeah, I like that space sound effect.

SPEAKER_12:

All I want is your time. Everybody know what time it is? You and I all I asked for will you thought that this was so short? Hey, I always miss you when you're waiting for you, but you let me down. Should I move on? And find someone better, should I sit down and write your love?

SPEAKER_13:

Great use of that space.

SPEAKER_12:

And a classic selling diamond ring, but all I really want is just one thing all time.

SPEAKER_03:

That's what men just are always on to the next. I think we need to be presents. Yeah.

SPEAKER_13:

They just want our time.

SPEAKER_03:

As we're doing this podcast away from them. Yeah, exactly.

SPEAKER_13:

You know, ironically, that's we won't. The one the one moment we just pour life. I'm happy. I'm a happily married man.

SPEAKER_03:

Get in there afterwards. That's right. Gotta sit down, you know. Do the podcast. Why is dying some different stone of some sort? Out of the letters that you wrote each other. Yeah.

SPEAKER_13:

I mean, I think she would take the diamond ring and the gifts too. I want half of your time and then the other half is good with the gifts. Oh.

SPEAKER_06:

Hey, what's going on, babe?

SPEAKER_13:

Hey, they start getting into the fight. I'm working. Oh.

unknown:

Oh. Okay.

SPEAKER_05:

If I'm here.

SPEAKER_03:

Oh, it's just work.

unknown:

I mean, you know, you didn't remind me.

SPEAKER_13:

Sounds like he's in bed with another one. What do you want me to do? It's like Tosh almost a song. He's like, yeah, he's at work, yeah.

SPEAKER_06:

All those things you like. Don't don't like Are you gonna bring that up now? Come on, I mean, I I can't I can't even really get into this right now. Come on. I wonder completely unfair.

SPEAKER_03:

Who did this?

SPEAKER_06:

I don't what do you want? I'm not even gonna respond.

SPEAKER_13:

I'll probably find that in uh with the video. Okay, that's good. Your time was good.

SPEAKER_03:

Do we have a time space continuum uh break for the album here?

SPEAKER_13:

Yeah, if you want to, let's do that. Uh we do this. Okay. We're stopping it. Okay, okay.

SPEAKER_00:

Oh that your now can be what I consider the past, or your now can be what I consider the future, and your now is every bit as valid as my now. Then we learn that the past must be real. The future must be real. They could be your now.

SPEAKER_13:

Alright, that's a nice little palette cleanser.

SPEAKER_00:

Okay.

SPEAKER_13:

Alright, thank you. Alright, ready to go? Yeah. Yeah, we're kind of mid-album. Got uh runaway here.

SPEAKER_12:

This is great. My heart keeps pounding, and it won't allow my need sometimes to get away from those problems in my life. So relieve my mind and put aside all of this shit attacking me inside. All of this drama surrounding me drives me crazy constantly.

SPEAKER_11:

I just believe to take my mind off of everything.

SPEAKER_12:

Sometimes I feel like I wanna run away. From the drama surround me and the world around me. Sometimes I feel like I wanna run away. But my heart keeps pounding, and it won't allow to keep it behind me. But I'm always reminded of everything that bothers me. Just keep on moving and keep on doing.

SPEAKER_13:

I could've used a little more cowbell. I could've used a little more cowbell.

SPEAKER_12:

Sometimes I feel like I wanna run away.

unknown:

From the drama surrounding and the world around me.

SPEAKER_03:

I decided to go for a little run. Shout out to the runners out there. Shout out to the runners. Everywhere is your runway.

SPEAKER_13:

It's a way to just be alone.

SPEAKER_03:

Strunter the light. I'm not gonna give you a light.

SPEAKER_12:

I'm gonna show you the light. I gotta run away, I gotta do it now. Gonna make it all work out. Sometimes I feel like I wanna run away. Pack my things and make a quick getaway. Wait a second, Mr. Paback and the world around me. Sometimes I feel like I wanna run away. Pack my things and make a quick getaway. Mr. Pennyback keeps pounding, and it won't allow me.

SPEAKER_00:

And now I assume that there's a waterfall ground. Pack my things and make a quick getaway from the drummers around me and the world around me.

SPEAKER_12:

Sometimes I feel like I wanna run away.

SPEAKER_00:

And now I assume that there's a waterfall grotto.

SPEAKER_12:

And it won't allow me.

SPEAKER_03:

Sometimes I feel like the waterfall grotto is under repair here. That's right. Um fortunately. The pH level is off in the waterfall grotto.

SPEAKER_13:

Alright, this is in a dream.

SPEAKER_00:

It's a dream.

SPEAKER_12:

Really um making your fantasy come true in my dream. I'm with you. I feel you almost every day. No discourses.

SPEAKER_13:

It's only a dream.

SPEAKER_12:

So intensely to a many other type. What's your mystery dream?

SPEAKER_13:

Shout out to Tom Cruise.

SPEAKER_12:

Show you what I'm like.

SPEAKER_13:

Come again, Tom. It's only a dream.

SPEAKER_07:

This moment came to me in a dream.

SPEAKER_03:

Um high school like football like sort of feel to it. Yeah. Oh. The vibey bass is cool. I agree. I feel hip listening to that. I feel too hip listening to this.

SPEAKER_10:

Oh, cool. That's bitch.

SPEAKER_02:

Alright.

SPEAKER_03:

Oh my Oh my gosh. I can seeing them in the club, it must be insane like the stuff that they can do on the decks.

SPEAKER_13:

This is insane. Yeah. Do they even have Bali in Puerto Rico? I'm sure they have to. I mean, it's like a dream.

SPEAKER_05:

Well, this place is called my laptop.

SPEAKER_09:

Oh, cool.

SPEAKER_03:

Oh. Starting a family listening to me this guy. All right.

SPEAKER_13:

I really like this.

SPEAKER_12:

Next to me, I'll make it forever, big fantasy, come true in my dreams. In a dream more here. Next to me, I'll make it forever, be fantasy come true.

SPEAKER_13:

Alright. Okay, cool. That was awesome. That was a remix too. This is surely missed.

SPEAKER_03:

Oh, here we go.

SPEAKER_13:

I kind of hear it's a little Marvin Gay. Or like Totally. That kind of thing. Like Burp Baccarac. Yeah. Marvin. Early 70s, late 60s.

SPEAKER_03:

Those are some cobras. Those are two dragons right there.

SPEAKER_12:

I'm sitting here all country.

SPEAKER_03:

Two dragons.

SPEAKER_12:

Never venting thoughts of you. My days and nights that lonely. Happiest times all memories. I dream of past days gone by when you were right there by myself. Without you, my friend, that's not the same. The times are gone. My smiles no more. Childhood memories of you and Can't believe we never said goodbye. I sing this song to show you your spirit less on. I hope you're hearing this because you're showing me. Woke up one day to bad moods. Car actually vibey, I like it.

SPEAKER_03:

Yeah, it's gonna be hard for me to choose, actually.

SPEAKER_13:

Do you do having hints at what you're thinking right now in terms of your top three?

SPEAKER_03:

Each song gets better and better. Yeah, they're strong.

SPEAKER_12:

I mean, just listen to your body, girl.

SPEAKER_03:

Move your body so much.

SPEAKER_12:

Can't believe we never said goodbye. I sing this song to show you your spiritless on.

SPEAKER_13:

It's very central.

SPEAKER_12:

Never forget what you need to meet always be in the world. As a result of that death, though we're just angel, but why did they take it? Next lover, you can't first will be blessed with your name.

SPEAKER_13:

Oh, I hope you're hearing this, so it can't be somebody who died. Unless I miss you, I have no idea. You're watching me.

SPEAKER_03:

Guardian angels.

SPEAKER_13:

Heaven was missing an angel, so yeah.

SPEAKER_03:

Very strong for family. Yeah.

SPEAKER_13:

Maybe it's supposed to be open-ended.

SPEAKER_11:

It could be missing somebody who's dead, or missing somebody who's fine line between sorrow and let the song express my emotions.

SPEAKER_13:

Let it become the next couple plays out channel. Yeah, maybe not a tonic for a while.

SPEAKER_12:

Some Ricky uh interviews here.

SPEAKER_03:

Shout out to Puerto Rico. Shout out to Puerto Rico. New Sand Juan.

SPEAKER_13:

The newest San Juan.

SPEAKER_10:

Yeah, where else?

SPEAKER_03:

El Yunke. Oh, yeah, there's Yaga. Shout out to Yaga. Shout out to all the Monstera owners. I don't know how many Monsteras are in the Lunge. There's probably some crazy jungle plants that I don't even know about.

SPEAKER_13:

Yeah, I think you'd be into the plant scene. Anywhere really in the subtropics. You know. Even in some parts of western Florida, you know. Alright, so yeah, so that was Shirley Miss. Oh, should we get a chant Well let's let's skip this one. This is the prelude to temperatures rising. Let's go straight to the actual track there. Do you want to get a little Ricky uh Okay, yeah, we'll go one less pile cleanser with uh Ricky. Here you go.

SPEAKER_03:

Every day and night. Alright. Alright, there we go. Thanks for spending your days and nights with us, listeners.

SPEAKER_13:

Oh, God bless you. Yeah, shout out to the listeners.

SPEAKER_03:

The runner listeners. I mean, if you're a sedentary listeners.

SPEAKER_13:

I mean, yeah, even if you're playing it at 2x.

SPEAKER_03:

Playing Wordle. Listening to us. Playing Wordle. Doing a crossroad puzzle by the fire. Yeah. Or with Nina Sky.

SPEAKER_13:

Yeah, or if you're on your commute to work and you're weaving in out of traffic and you're battling the semis and the septic tanks and the minivans and the fucking cement mixers, all that shit. Yeah. It's the worst, man. It's like the commute is here. Yeah, we're here for you. We are.

SPEAKER_12:

I'm losing all control.

SPEAKER_10:

All controls.

SPEAKER_13:

This is very dead.

SPEAKER_03:

This is a lick, my love pump, canvas on. I heard a little nylon classical guitar there.

SPEAKER_10:

Nylon. You mean the strings?

SPEAKER_03:

Strings are nylon, yeah. They're classical.

SPEAKER_13:

I like temperatures around. This is beautiful. There you go. Acoustics. Just simple lines intertwined.

SPEAKER_05:

This piece is called Lick My Love Pump.

SPEAKER_11:

You make me scream.

SPEAKER_03:

Oh Fahrenheit, Celsius.

SPEAKER_13:

Oh yeah, this is baby making music.

SPEAKER_03:

I don't know, we touched those fragile places.

SPEAKER_02:

Okay.

SPEAKER_03:

Dude, Brian, you think Brian still has any uh guess who has a date on Saturday? Not me. Yeah. We're checking in on Brian Griffin. Yeah, still no date.

SPEAKER_12:

You make me feel high like heaven. Smaller comes to me. You lie. Sun you've had in my day. Happy ending of any story. With an angels glow, you bring my soul. Joy joy joy. When the angels glow, you bring my soul. Joy joy joy.

SPEAKER_13:

Yeah, this song hit for me like the first time I heard it.

SPEAKER_03:

It's got a little still rings. Classical guitar.

SPEAKER_13:

Yeah, I like how the strings kind of could be a Christmas song. Joy, joy, yeah. You're right, yeah. Yeah, I'm in the Christmas spirit after this.

SPEAKER_03:

That's what we do at Christmas. Yeah. Touch you those fragile places.

SPEAKER_13:

Yeah.

SPEAKER_02:

Want your body badly, baby. Want your body badly babily. Want your belly baby baby.

SPEAKER_03:

There it is. There it is. There it is.

SPEAKER_12:

Oh, feel like we're bad, baby. Oh.

unknown:

Oh.

SPEAKER_00:

Oh, oh, oh.

unknown:

Oh.

SPEAKER_07:

You know what I'm talking about. You know what I'm talking about.

SPEAKER_13:

That was awesome. Alright, so this is high back. Oh we're almost at the end. Wow. This one and the last one is faded.

SPEAKER_12:

And if you do the world singing, then you know that it's wrong.

SPEAKER_03:

Just the girls.

SPEAKER_13:

It says it's a man's world, huh?

SPEAKER_12:

We go hollow back.

SPEAKER_13:

You gotta promote, you know.

SPEAKER_12:

And if you're feeling over singin', then you know that it's wrong.

SPEAKER_05:

If I'm here and you're here, doesn't that make it our call?

SPEAKER_12:

Five guys.

SPEAKER_13:

Are they just gonna get burgers or what? Five guys trying to holler. I don't know. I'm more of a fries guy.

SPEAKER_12:

I haven't had one of those burgers in a month. So bad for you. I wish they were.

SPEAKER_13:

It's a little bit. There's gotta be yeah, this is a weekly. This is more of a dance, too. Good drama. Great look. Good drama. Can't like every song in the album. It's a little self-promoting too. I don't like and party for this needless guy's track. But yeah, this is their first album, so they gotta make a name. They're trying to make a name for themselves. It's part of uh yeah, branding. Yeah, it sounds like the like a song that like the East West Shrine football team would Yeah, like on Key and Peel, you know how they do the they do like a rap with all the football players. Anyway.

SPEAKER_03:

Yeah, look it up. You know what he's talking about.

SPEAKER_13:

Yeah. Yeah, jammy, jammy, jammy. What's the other one? Hingle McKringleberry.

SPEAKER_03:

Alright, we're faded memories here.

SPEAKER_12:

I was crazy for you. Needed you like the blood in my veins. Would have done anything for you. I guess the feelings weren't the same. Now I'm sitting here alone. My fairy tale's a local.

SPEAKER_03:

No more fairy tale.

SPEAKER_12:

Try it to carry on.

SPEAKER_03:

Maybe you should have stayed home with the men. Last song. I get yeah. Yeah, I don't know. Now it's on to the next.

SPEAKER_13:

Yeah, it it'll it'll pass. That's true. Another guy will come along. Yeah. Yeah, just there's like 30 other guys on the dance floor at the club right now.

SPEAKER_03:

The cleric.

SPEAKER_13:

Just stuck in the past.

SPEAKER_12:

My soul feels incomplete when you left the park.

SPEAKER_13:

Kinda sounds like the with the acoustic guitar and this beat. It's like uh this rhythm. It's like under the Milky Way by the church.

SPEAKER_12:

Completely different genre.

unknown:

They will go inside me. Everywhere I go, I see you. They got the beside me.

SPEAKER_12:

Everywhere I go, I see you. Baby, I need you. Baby, I need you. Baby, I need you.

SPEAKER_13:

Alright.

SPEAKER_12:

Baby, I need you.

SPEAKER_10:

Baby, I need you to get it.

SPEAKER_13:

Some smoke little texture there with this little guitar in the background. Slash?

SPEAKER_10:

Baby I need to see something. Yeah.

SPEAKER_03:

It's not a whole lot of electric guitar on this book.

SPEAKER_10:

Baby I need you.

SPEAKER_03:

I needed something. Uh-oh.

unknown:

Fade in memo baby.

SPEAKER_13:

This is a little tighter. Yeah, the end of the song is starting to hit. I don't know, this is gonna be tough for me. Because atletic We're talking about turning me on is one of the th It's not a hit, so we've got that. So anyway. Alright, so we're at the end of the album. What do you think? Why don't you give us your dream number three? Like from back in the day, I mean I vaguely remember hearing that song. I was living in Florida at the time. So for that reason, I'm gonna go with a dream of my number one. It was just I loved it the first time, I loved it the second time, and I'm gonna hear it a third time. We're gonna do some more female. Yeah, in the sky.

SPEAKER_03:

Let's go. All right.

SPEAKER_06:

Good drama, right? Good drama, yeah.

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Chris

Host
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Tim

Co-host