The Greatest Non Hits
🎶 Hey there, music lovers! 🎵
Let's take a trip down memory lane and dive into the endless universe of overlooked songs from our past! 🌌 In this age of music streaming, have you ever played a game with your friends where you listen to the deep tracks of old albums and debate which ones were the most underrated? Well, guess what? Chris and Tim have invented that game, and it's an absolute blast! 😄
Whether you're walking your dog, driving your car, or taking an early morning run, 🎸🎙️ these two music enthusiasts will take you on a journey through each studio album we all know and love. Tim will even serenade you with a little guitar, while Chris drops some mind-blowing knowledge about the songs.
But here's the best part – they'll listen to and rank the top 3 non-hits from each album! 🏆 It's like discovering hidden gems that never got the recognition they deserved. And don't worry, there's plenty of comic relief sprinkled throughout each episode to keep you entertained and laughing your socks off! 🤣
So, if you're in need of a musical escape and want to explore the uncharted territories of underrated songs, join Chris and Tim on "The Greatest Non Hits" podcast! Trust me, you won't regret it. 🎧✨ Let's celebrate the unsung heroes of music together!
#TheGreatestNonHits #UnderratedGems #MusicEscape
The Greatest Non Hits
Blur: Parklife
Now on the album you've got pictures of dog racing and you had your album launch at a dog race, yeah.
Speaker 2:What's the appeal? It's just another facet of part life, really the dogs. It's a night out, actually. You can eat and you can have a drink and watch dogs going around on the circuit. Simple lines intertwining all right.
Speaker 4:Thank you for listening the greatest non-hits. I'm chris and playing like a kind of of this Is A Low and Clover Over Dover is my co-host, tim. Thank you so much for listening to the Greatest Not Hits. It's been a few weeks since we've done an episode, so thank you for joining us. We're getting back in the swing of things.
Speaker 4:This is a nod to the Brits out there. This is Blur. This is from Blur, the Parklife album, and it was released in April 25th in 1994. And Blur is one of those bands that's they're Britpop, but I mean they have a long, like a huge range of different genres that they can go to. I mean there's elements of punk, there's brit pop, there's shoegaze, there's there's all kinds of stuff going on on this album and I think it's one of their best ones. I would say um, huge, huge in britain, not so much everywhere else, but we've seen all, we've heard all their songs from the 90s. Everybody's heard at least one or two of them, like on MTV back in the day there was Song 2. That was a favorite of mine. Boys and Girls is on this album. That's a hit. This is considered to be their best album. It's the third album, third studio album by Blur 1994. It's also an album that critical acclaim.
Speaker 4:It was the lead singer. What's his name? Damon Albarn, considered one of the best writers of all time by huge performers such as Elton John. They think he's the bee's knees. He's a great songwriter, very prolific indeed. Formed the Gorillaz back in 1998 with another writer. I'll get the guy later. Anyway, there's a number of hits on this, singles, releases of singles that ended up being hits in Britain Girls and Boys, the song called To the End, the song Park Life is probably the biggest, I think, by far and End of a Century. There was also Tracy Jacks, which was released as a single but never reached, you know, hit status. So for the purposes of our show, you know, getting back to our roots, we're a.
Speaker 4:We're a sort of like a, like a movie, like a book club, but we're more of like a album club, and at the end of this we're going to rank our top three non-hits, and those four that I mentioned are not going to be considered. We will consider Tracy Jacks, though. I think we agreed on that. So it's going to be everything but Girls and Boys to the end Park Life, end of a Century, and then we'll get into it. We've got hilarious sound clips on the way. We're going to listen to all the songs. We're going to talk about Blur, the band, the personnel, the accolades.
Speaker 4:This one, I think, went four times platinum. I think this is their highest-selling album too. But you know what the lineup they're like, one of those bands that doesn't change out people either. It's always been the same four guys, which are, you know, damon Albarn there's my man. What's his name? Coxon. Where are we at here? It was on food records, too, which got swallowed up by EMI. There was a guy named David Balf who was the head of food records, with another guy named Andy Ross, and this was the last time that they collaborated with Blur and the rest of these guys.
Speaker 4:So Alex James is on bass who are the other guys on here.
Speaker 4:Let's get back to the personnel here. Let's get back to the personnel. We've got Dave Roundtree on drums. This guy's a great drummer. I guess he's also like a. He was in Parliament. He ran for Parliament in 2024 and lost as a Labour candidate. That's interesting. He served on the Norfolk County Council from 2017 to 21. The drummer's got some political chops there. See Graham Coxon, who I was talking about. He's a guitarist, singer, songwriter. He and Damon Albarn are like the main guys. I think they're the ones who started the band. And then I think Alex James was the last to come aboard. I think Dave Roundtree and Graham Cox knew each other in college. You know that kind of thing Late 80s. I guess the band officially started in 1990. Their first album was Leisure Leisure, whatever you want to call it and this is the third one. What else? There's a lot of simple lines intertwining.
Speaker 4:Simple lines intertwining and Tim is more of a lines intertwining and Tim is more of a blur guy than I am. He likes the gorillas. I know that he knows the history. We're doing a lot of Tim. This is Tim's wheelhouse right here. Interestingly, I think with this album it comes out right after Kurt Cobain dies. For me it represents the end of after Kurt Cobain dies and it's from. For me it represents like the end of the grunge era, because this is like April of 94. Cobain dies and then there's all this other stuff and so this kind of comes in cause. It kind of borrows from it, but it's this is mostly a British thing. Oasis is kind of like a around this time definitely maybe comes out at the same time, and so they're like the two. They're sort of competing with one another, but there's like a mutual respect. But anyway, tim is going to chime in here. He is how you doing, bud? Oh, doing well, thanks, good, yeah, what do you think about?
Speaker 5:uh, like the characterization of the time it's um, right after grunge, when you say yeah this kind of feeds into, like the next chapter of of music, on music from the decade yeah yeah, and and damon really steps up and I and I think I went reverse into his catalog, like a lot of people after the gorillas when that was started, and then start to started to go into blur as a result of being like who is this guy? And he's, he's got his hands and everything and right Uh yeah, no, it's good stuff, man. We're going to start off with a composer, yeah.
Speaker 4:Well, we're going to go right into it Like girls and boys. We've all heard this one. Right, this is the non hit, but it's the first track, so there's going to be a couple more that are going to be intertwined. That's going to be a theme going forward, so we're going to start off right from the beginning. This is girls and boys. We're going to get right into it.
Speaker 5:All right there we go, it's technical.
Speaker 3:All right.
Speaker 4:Shout out to Mrs Garrett.
Speaker 5:It's like a four on the floor beat. Is that right? It's popping. It's popping floor beat. Is that right? It's popping. It's popping right here. That's some space.
Speaker 1:Streets like a jungle. So call the police, call the fire department. Follow in the herd.
Speaker 5:Down to Greece. I've never been to Greece.
Speaker 4:It's a beautiful country. I need to go.
Speaker 1:Yeah, oh crap.
Speaker 4:It kind of sounds like Duran Duran. A little bit too, it does.
Speaker 1:In new order.
Speaker 4:This is the Manchester coming out.
Speaker 7:Hey, mrs Garrett, can I ask you something? What, what is it, joe? Is it a problem if your penis and your vagina touch each other? Whoa, hey.
Speaker 4:What was that all about? What? I can't wait to hear what this skit's going to say next.
Speaker 6:Well, I try to keep them separated, but I woke up this morning and they were sort of together.
Speaker 7:I just didn't know, is that okay?
Speaker 3:Hot fingers.
Speaker 1:You have both. Well, yeah, doesn't everybody? No, go, go Go.
Speaker 4:This song is a lot more fun at the club, you know. Oh, you've got to be in the club. Yeah, you've got to be dancing, you've got to be popping around. Yeah, it's just hard to just get into this with a bro like in the studio.
Speaker 5:You need a little Roxy music, maybe I don't know, sort of poppy like that.
Speaker 1:Yeah, hey, I got the body of a taut pre-teen Swedish boy.
Speaker 5:Is that cream?
Speaker 4:There's a reason you got cancer.
Speaker 1:No fear, just love, it's catchy.
Speaker 5:The boys, they like they do girls. Yeah, I get it, I'm a man. What about men and women? When does that transition happen?
Speaker 4:This subject is out of my wheelhouse.
Speaker 1:Why are boys jerked?
Speaker 4:I like that scratching with the guitar.
Speaker 5:It sounds like an airplane lifting off. Yeah, exactly, it's lift off. That's the pick scrape Down the. Is that what it's called? That's the pick scrape down the down the. Is that what it's called technically down the yeah, go down the wire.
Speaker 4:Yeah, it's well placed it's a well placed. You don't often pull that off with well, shout out to Graham Cox and seems like that's his big move. Al Barnes playing the vibraphone, the melodica. Okay, all right, this one is called Tracy Jacks. Okay, that sounds who-ish.
Speaker 5:Squeeze box. It's a squeeze box, raga. It is, excuse me, russell.
Speaker 1:Tracy Chan works in civil service. Tracy Chan is steady employment. Tracy Chan is a golfing fanatic. Tracy Chan is a party director. Tracy Chan saw Harley's big doctor Tracy Chan prescribed help with living. Oh bitch, you got jacked, tracy Chan, but he's getting past ball day, tracy Chan, and all the seams are splitting. Every day you go closer, dude, I've jacked it twice since I've been here. Are you kidding me? Why not? I'd love to stay here and be normal.
Speaker 5:Normal.
Speaker 1:But it's just so overrated. Try to say Jack Left home without warning. Try to say Jack, oh, bitch, you bought Jack. Try to say Jack Got on the first train to Walter. Try to say Jack, I'm still on the seafront.
Speaker 5:Seafront, Are you laughing by the seafront over there? Yeah, it's one of my favorite pastimes. I love laughing by the seafront. Run around naked okay.
Speaker 2:Running with the police. Two lines 8 for 20.
Speaker 1:Simple lines intertwining.
Speaker 7:Oh, bitch, you got jacked, bitch Billy.
Speaker 1:Billy, billy. And then it happened on Tuesday morning, tracy Jack's bulldozed down the road.
Speaker 5:She began saying he's just so overrated.
Speaker 3:Oh, I love this little whammy ball delay.
Speaker 4:I'm liking that. It's all. It's something different.
Speaker 5:It's Lukather-esque. Yes, lukather the Grand Coxon is the Lukather of. Yeah.
Speaker 4:That's Tim's line-esque. Yes, lukather the Grand Coxon is the Lukather of. Yeah, that's Tim's line, that's not mine. He said it right before that.
Speaker 5:No, I'm glad you brought that. I would have forgot.
Speaker 4:No, I agree with you, sort of build up tension.
Speaker 5:You're right, change the chords, come back. Yeah, you know, simple lines intertwined.
Speaker 1:This song has the body of a Swedish boy. Dude. I've jacked it twice since I've been here. Are you kidding me?
Speaker 7:Why not? Well, I think this calls for the old Billy Baru.
Speaker 4:Get a golfing. Oh yeah, there's like. There's like golf, like Well, tracy Jacks is a golfing fanatic, so, but his putt is erratic. It's time for the Obele Beru. Oh, obele Beru, this is a biggie Spalding.
Speaker 7:Oh, bitch, you got jacked bitch.
Speaker 3:All right.
Speaker 4:Some strings, all right. That was sort of like a built-in palate cleanser, that little thing there.
Speaker 5:I like how they did that yeah we don't need to do one now.
Speaker 4:Okay, so this is called End of a Century. This is one of the hits.
Speaker 1:Tracy Jacks was a pretty good song. She says her son's in the carpet Dirty little monsters.
Speaker 4:Eating all the morsels.
Speaker 1:Picking up the rubbish. Give her effervescence. She needs a little sparkle. Good morning TV. You're looking so healthy. We all say Don't want to. We wear the same clothes the chord is heavier in this one, very Oasis-esque.
Speaker 4:Yeah, the chord is heavier in this one. It's kind of psychedelic a little bit.
Speaker 1:Yeah, everybody's at it. Wine gets dirty, clean it up.
Speaker 5:Love that line.
Speaker 1:I love that line.
Speaker 4:You're not a big TV fan, kiss my grits.
Speaker 5:That's what I say to TV.
Speaker 1:Kiss, my grits.
Speaker 5:I mean, yeah, except all the sounds, some footy every once in a while.
Speaker 4:Yeah, the one-liners are good. Otherwise, yeah, if you start getting into Football.
Speaker 5:Yeah, Wingers aren't the same Wingers yeah.
Speaker 1:There's no big wingers anymore.
Speaker 5:What do you say?
Speaker 1:Well, isn't that special. Dry lips Well isn't that special. It's a dry lift when we say goodnight and I'm a centriole. Dry lifts, it's nothing special. And I'm a centriole, it's nothing special. Well, isn't that special?
Speaker 4:I hear the horns at the end, kind of Beatles-ish. It. Does Brits love that?
Speaker 5:The wrap-up the bow.
Speaker 4:All right, this is park life.
Speaker 5:We're going to hear from Saul on this one he likes. He's a big Blur fan.
Speaker 4:This is their big one. He likes he's a big Blur fan. This is their big one. This one more listens by far than the others, so I can see where Saul's coming from. Yeah.
Speaker 6:Confidence is a preference for the habitual voyeur of what is known as a morning soup can be avoided if you take a route straight through. What is known as A morning soup can be avoided if you take a route straight through what is known as Dave Roundtree's Canada. Job's got brewers through and he gets intimidated by the dirty pigeons they love a bit of it, dirty pigeons. Who's that couple all marching? You should cut down on your pork life, mate. Get some exercise, oh.
Speaker 5:Is pork high in fat or something?
Speaker 4:I think that's the insinuation.
Speaker 5:Ham and ham yeah.
Speaker 4:I like the plan where it's pork life, pork life. I don't know who's that Gut lord marching. You should cut down on your pork life, mate.
Speaker 6:Except on Wednesdays, when I get rudely awakened by the dustman. I put my trousers on, have a cup of tea.
Speaker 4:Shout out to the tea drinkers you beat me too.
Speaker 5:We could have said it together. Yeah, jinx.
Speaker 6:I sometimes feed the sparrows too, we could have said it together, jinx.
Speaker 5:Just not white bread right.
Speaker 6:Shout out to the people in the park.
Speaker 5:Any park, yeah. People in private parks can can fuck off, but public parks shout out, yeah they all go hand in hand I guess the night outers, yeah, salt, salt what happened?
Speaker 1:Yes, yes, All the the whole.
Speaker 6:Oh, no, yes, the whole railway, the technique, you know. Oh, and it's not about you chumpers. You could go round and round and round, and I was holding my cat Salt.
Speaker 5:He's a good park, lad, yeah.
Speaker 6:And we were going up and the whole oh my God, the whole goddamn thing went into a flip out and it flipped and bent the whole railing and it must have gotten caught on the carpet on the stairs.
Speaker 4:Saul, you've got to be careful with those chairs that go up the stairs. All right, this is called Bank Holiday.
Speaker 1:All right, this is called Bank Holiday. This is kind of a punk song.
Speaker 4:I think we were just sort of like fuck this song.
Speaker 1:This is like way too much.
Speaker 4:Yeah, it's drinking barbecue day, barbecue punk day. Yeah, all right. Five, four off, all right, bye, okay, we got bad head here. Yeah, okay, now this is called bad head simple lines intertwining.
Speaker 1:This is Get Closed and Smoochie, smoochie music that today. I'll get up around soon From a lack of anything to do, and I might as well just grin and bear it, cause it's no other trouble.
Speaker 3:I'll learn how to play, and you.
Speaker 4:You tell him Starowski.
Speaker 5:It's a little country Almost. Yeah, no surprise.
Speaker 1:Little, I'll get up around two With nothing to do Except get a touch of, and I might as well just grin and bear it Is bad head supposed to be the same thing as bad head.
Speaker 4:We have bad head. You wake up. Your hair's all messed up.
Speaker 5:That's bad head. You hang out in bed.
Speaker 4:Yeah, I didn't know. In Britain it was just referred to as bad head instead of bad head. I don't know, in Britain it was just referred to as bad. It's kind of a French.
Speaker 2:Oh yeah, Do not come with me to see Casbah. We shall make beautiful music together.
Speaker 3:Oh yeah.
Speaker 5:Nice Sing it. This is good. Yeah, it's nice.
Speaker 4:It's like a vibraphone. Yeah, there's a vibraphone. There's a mood synthesizer, Al Barnes doing it all.
Speaker 5:A depth of sound here, Just saying let it out, Give it some air.
Speaker 1:Man Play with it.
Speaker 4:There's some other people out here too. Shout out to Stephen Street on the synthesizers.
Speaker 5:Vintage keys.
Speaker 4:he's the vintage key guy shout out to phil daniels. He did a new narration on parkland.
Speaker 5:We missed that something about argument, you know just you're going to argue just try to put yourself in their shoes.
Speaker 4:Yeah, just try to be a partner who listens.
Speaker 5:Yeah, a little bit more. Take the ego down a notch. Yeah, give that ego some air.
Speaker 4:Yeah, give the guy a break. He's got a bad head. Yeah, you know what? He's perfect Okay.
Speaker 3:Okay.
Speaker 4:All right, that song was all right.
Speaker 3:Yeah.
Speaker 4:This is called the Debt Collector. I count Mississippis in the back. No words on this song. This is kind of like an Oopa.
Speaker 5:Oopa.
Speaker 4:I don't know what to do with this. I don't know what to do with this. I don't know where to go. Maybe this is part of like the. This is part of park life. You know, that's the aesthetic this kind of has like a.
Speaker 5:The debt collector. Yeah, this is the debt collector.
Speaker 4:Yeah, this is the debt collector, you put all your bets up and yeah, after you've lost at the track, all of a sudden the debt collector comes.
Speaker 3:Don't you pay ahead?
Speaker 4:of time yeah exactly. You don't have to claim if you, yeah, so we have a little debt to settle. You had Santa's Little Helper and Santa's Little Helper.
Speaker 7:The Magical man Gumdrop hosts a lollipop lane. You're making people happy. I'm the Magical man from Happyland, not the deck like that yeah.
Speaker 4:Oh Fat Tony.
Speaker 3:Billy, Billy, Billy, Billy, Billy, Billy.
Speaker 4:I think Coxon is playing saxophone on there. What Something.
Speaker 5:He's a guitarist though.
Speaker 4:I know that's the thing. What, yeah, yeah. It says here right here Graham Coxon saxophone's the thing. What, yeah, yeah, it says here right here Graham Cox and saxophone percussion.
Speaker 1:What yeah I?
Speaker 4:think that was him on that, I don't know. There's other people. This is called Far Out, so there's some weird stuff going on here. Ready.
Speaker 2:I spy in the night sky don't I V-B-I-O-L-R-L-A. De Callisto Sinope, janus Diony.
Speaker 1:Porsche. So many moons Quiet in the sky at night. Hearts in the Milky Way Outside in. I'm sorry, Dave, I'm afraid I can't do that.
Speaker 4:It does kind of have like a spacey kind of a vibe to it, right.
Speaker 2:If I'm here and you're here, doesn't that make it our time?
Speaker 1:One, two, three, four, five, nine me to the juice.
Speaker 2:Sun, sun, sun sun, Our time.
Speaker 3:Excuse me, holmes, what it is, bro, we're from out of town.
Speaker 4:No shit, yeah, that was good. There's some far out stuff here. I kind of like that for one of the short songs. That was really good. There's some Far Out stuff here. I kind of like that for one of the short songs. That was really good. Far Out was enjoyable. It was like a palate cleanser in and of itself.
Speaker 5:Now we've got some Burt Bacharach going on. Yes, this is like Elvis Costello. Yes.
Speaker 4:This is one of the hits, though. This is one of the ones that.
Speaker 2:We need that extra push over the cliff.
Speaker 1:You know what we do. Put it up to 11, exactly One louder. Why don't you?
Speaker 5:Oh, this is the Pepe song, yeah.
Speaker 1:Yeah, I like these. Like Been drinking far too much.
Speaker 4:I like these like spy movies from the 60s.
Speaker 5:It is like spy yeah.
Speaker 4:Like in, like Flint Q yeah.
Speaker 5:Shout out Q. That's right, have a cup of tea on me. Q Be Q.
Speaker 4:And it looks like we might have made it If he were alive, he'd be one of the tea drinkers. Is that like a xylophone Shout out to the strings?
Speaker 5:I it's the duke strings. This is like if anybody, if all the youngsters wanted like a frank sinatra-esque song, but modern, but modern and English. Right, this is what it is, oh yeah.
Speaker 4:It's classy, yeah, a lot of good use of strings, the string arrangements, the cello, the viola, the violins, really.
Speaker 1:It's got horns, it's a dame. A dame Looks like we might have made it yes it looks like we made it to the end when you and I collapsed and fell.
Speaker 5:Well, it looks like we might have made it. Yes, it looks like we made it to the end, an amorphous blob of love.
Speaker 4:Is this supposed to be celebratory or is it just? Is it like they made it to the end of a relationship and now it's over? Oh good question, I don't, I can't, or is it? Whatever you want it to be.
Speaker 5:Maybe let's ask Pepe.
Speaker 2:It is love at first sight is it?
Speaker 5:No, I don't know. I think it's the first one. Yeah, it is just a celebration, maybe.
Speaker 4:Yeah, we made it to the end of something that we've been looking forward to and it was successful.
Speaker 5:I'm going to look up this French word here.
Speaker 1:I'm going to look up this French word here Looks like we've made it to the end.
Speaker 3:Not no.
Speaker 2:Do not come with me to the Casbah. We shall make beautiful music together right here.
Speaker 5:In broad daylight. What's that? Oh okay, that's wow, that's naughty that is naughty broad daylight simple lines intertwining.
Speaker 4:Okay, we're going back to Matt Chester now. London loves. Oh, this is London.
Speaker 7:I'm the magical man.
Speaker 4:Not quite there yet, all right, not quite there yet, alright, it's got a nice rock and roll.
Speaker 1:Beat to it. It's a little David.
Speaker 5:Bowie-esque. Yeah, I like this. I've gotten some good speeding tickets over the years. Good times, it's love you like and everyone's out there. I don't speed anymore, though.
Speaker 4:And where's the change and the mind? These are like love metaphors. Yeah, the car. So see together Speeding car Before Speeding car, speeding car. That's supposed to have been a great song, like back in the clubs in London during that time. It's like an anthem.
Speaker 1:Call the fire department. This is out of control.
Speaker 3:Fire out man.
Speaker 1:If I'm here and you're here, doesn't that make it?
Speaker 5:our time Just saying let it out, Give it some air. Man, this is great.
Speaker 1:This is out there.
Speaker 5:Yeah, it's growing on me the falsetto and then the low voice and then growing on me the falsetto, and then the low voice and then the high voice, kind of, yeah, it feels like an 80s song almost. How is this not a hit?
Speaker 4:Yeah, I mean I would take this over. Tracy Jett they could have at least released it as a single.
Speaker 5:Yeah, it's got a little more edge to it it's hooky yeah.
Speaker 4:I just wonder if there's just something that Graham Cox could have done. It's wonderful there's just something that Graham Cox could have done. He's done some Lucanair kind of things just to push it over the cliff.
Speaker 5:You should have played clarinet on this one. Yeah, this looks like a weather report or something, a traffic report.
Speaker 4:Oh that narration in the back, yeah, that Phil guy. Yeah, oh, that narration in the back, yeah, that Phil guy.
Speaker 1:Just looking at credits, maybe that's a fact, Jack.
Speaker 4:That's a fact, Jack. Yeah, I can't find anything. Let's see as to who's doing the narration of the weather report?
Speaker 5:It's probably TV like actual TV, maybe yeah.
Speaker 4:It sounded real. Or some radio Sure, All right. What have we got next? Trouble? Or some radio Sure, All right. What do we got next? Trouble in the Message Center.
Speaker 5:Interesting.
Speaker 4:Interesting.
Speaker 6:We didn't delve too much into this one.
Speaker 4:Okay, I am the message center. Yeah, this sounds like Valley Girl. This is like new wave early 80s Room to room an operator, no calls.
Speaker 1:Today dear, they just have to wait. Dear, I call and I collect. So just put something away from the morning. Too late, too shy, too dull and so much trouble.
Speaker 4:What's a jazz? Listen what? Yeah, this song's not as soft as the last couple.
Speaker 6:It sounds like Devo mixed with like local delegator.
Speaker 5:Shout out to the anesthesiologists out there. Yeah, if you're putting yourself under, I recommend a good anesthesiologist.
Speaker 4:A new type face. A new type face, a new day.
Speaker 1:It's a new day.
Speaker 4:Yeah, I hope this song is not about anything plastic surgeon, plastic surgery related, is it no?
Speaker 5:It's rhinoplasty.
Speaker 4:It's rhinoplasty. Okay Okay, Coxon. Okay Okay yeah. Coxon is channeling his inner Lucifer.
Speaker 5:Ah, not all Lucifer songs are good. No, yeah.
Speaker 4:In my opinion this one.
Speaker 5:It's falling flat for me, me too.
Speaker 4:I did kind of like the guitar that they had going on a little bit earlier.
Speaker 5:It's a little heavier, which I do like.
Speaker 4:Yeah, this is good for me. It is a little too loud, isn't good for me? It is a little too loud, isn't it?
Speaker 5:It's a lot of laws yeah.
Speaker 4:Let's save 30 seconds of our life. Ready to go? All right, we're going to the next one. All right, okay.
Speaker 3:Ooh.
Speaker 4:Okay, oh, this is. It was worth the reward. Clover over Dover, little harpsichord going Right, it's kind of Baroque.
Speaker 2:We need that extra push over the cliff. You know what we do Put a. We need that extra push up.
Speaker 4:Oh geez, what was that?
Speaker 5:What happened there?
Speaker 4:It's technical difficulties. It was a cautionary tale For me.
Speaker 5:Oh, oh, oh, Technical difficulties. It was a cautionary tale for me. Shout out to the clover lawn owners out there. Yeah, it's better for the environment, but you know, lawns are nice too, and this little lawn, little putting green.
Speaker 4:There's some golf references in here. You got Tracy Jacks little putting green. Some golf references in here. You got Tracy Jacks bad putter. The Brits love golf.
Speaker 5:They love clover.
Speaker 4:Yeah, I think Judge Smales and Caddy Sheckson, they used to pronounce it golf, golf, golf Golf. It's like the Straits of Dover, the Dover Channel. Yeah, southern, I guess this is the sound of southern England, southern Britain.
Speaker 5:Or heavy Down where the seagulls are. Yeah, the dogs. Dags, dags, you like dags.
Speaker 4:It's not Irish, it's not British.
Speaker 1:It's. I taste the fact that, in actual fact, there's no bear inside and it's all love. I taste the fact that, in actual fact, there's no bear inside and it's all love it's in here Mesmerizing.
Speaker 5:Really it's over the cliff, really it's over the cliff. I could just round and round repeat most of this one.
Speaker 4:Yeah, yeah, that was lovely, it's good. All right, we got Magic America.
Speaker 7:I'm the magical man, okay.
Speaker 4:All right, this got Magic America. I'm the magical man, Okay.
Speaker 1:All right, this is Magic America. Okay, here's plan B, when there are buildings in the sky and the air is sugar free and everyone's very friendly. Well, plan B arrived on a holiday, took a cab to the shopping malls, bought an AT Could do neither anymore Loss, but tonight Take it to Neither anymore. Then found love On channel 44 La La, la, la la.
Speaker 5:Another La yeah La song.
Speaker 4:There's like a lot of La la la going on. It's a. It's a popular La La, la, la la Filler. It's a popular Filler. Yeah yeah, a lyric, a filler. Yeah yeah, popular lyric for Damon.
Speaker 7:The magical man, the magical Ghosts of the night. Ghosts of the night. Ghosts of the night. Ghosts of the night. Ghosts of the night. Ghosts of the night. Ghosts of the night. Ghosts of the night. Ghosts of the night. Ghosts of the night. Ghosts of the night. Ghosts of the night.
Speaker 1:Go drop home to Nani Pumlee Shout out to the Simpsons fans out there. From the people who care how you feel La la, la, la la. They want Steve Jobs to match America. La, la, la, la la. That's the fact, yeah.
Speaker 7:Go, go go.
Speaker 4:I'm the magical man. It's like chill out. Oh wow, who's doing that? I think this is like the Hammond organ, I think.
Speaker 5:David said this Vintage organ.
Speaker 1:Vintage organ. We'll see you next time.
Speaker 5:It's not the worst song, it's not.
Speaker 4:I'm not sure if it's in the camp. I mean it wasn't a hit or a single.
Speaker 5:I think you could just get away with not saying anything in those la-la-la parts. Yeah, it cheapens it. Yeah.
Speaker 1:And this song could be even shorter. It is.
Speaker 4:Okay, point taken. I don't know, there's some good stuff in there. There's almost too much, but I liked it. It was okay, is it top three? I don't know.
Speaker 5:Well, keep it going.
Speaker 4:We'll see.
Speaker 3:We'll see.
Speaker 1:This is called Jubilee.
Speaker 5:He's got a TV watching.
Speaker 1:Yeah, he watching 24 hours of rubbish. He got beauty, he got plastic bags.
Speaker 5:His eyes are going square, oh yeah.
Speaker 1:He no right, but just antisocial. He not going to cut his hair.
Speaker 3:Hey, Jesse, take it right.
Speaker 4:This sounds a little Bowie-inspired.
Speaker 1:He not being enough. Hey, jesse, take it right, this sounds a little Bowie-inspired. Billy, billy, billy, billy, billy, billy, hopefully, billy Bill.
Speaker 5:I don't need a job. He's cool bud, tasty ways. Bolling this calls for the old.
Speaker 1:Billy Baru. But you just don't get out enough. Hey, just say, say correctly no, I'm Tony Tony, tony, tony, tony. Hey, just say say correctly no, I'm Tony 17. He not keen on being like anyone else, so he just plays on his computer. Wow, this is all over the place, kiss my crickets Just saying let it out, give it some air, man Play with it. They just say say correctly, no, I'm totally 17, let it out, give it some air, man Play with it.
Speaker 4:Where'd it go? I think there's a whole whole section of horns too.
Speaker 5:The kick horns Richard Edwards on trombone, roddy Lorimer on frugal horn, flugelhorn Yep flugelhorn.
Speaker 1:Tim Sanders tenor sax soprano sax.
Speaker 4:David Sandsborn. Yeah, sad to say, yeah, sandsborn. No, david Sandsbourne. Yeah, sad to say, yeah, sandsbourne. No David Sandsbourne. Sighting Simon Clarke Although I shouldn't talk, my hair's getting a little shaggy too. Okay, this is a low. All right, I'm on board for this one Again, shout out to the tea drinkers.
Speaker 1:Just find a taxi. Wreck, sail by with the tide.
Speaker 4:It's a second reference to a taxi I've seen in this album and the radio sings this is a love. But it won't hurt you. The radio says this is a love, but it won't hurt you.
Speaker 1:When you're alone. It will be now, and you're finding ways to stay so long.
Speaker 4:What? What is that? Cramity. I'm a time forth in Cramity.
Speaker 5:Time is the river.
Speaker 1:Oh, okay, there's a low in the high, oh, okay.
Speaker 3:There's a low in the high 40s.
Speaker 4:Okay, I'm going to brush up on my English geography.
Speaker 5:Blackpool has all the little amusement parks.
Speaker 4:Oh yeah, yeah, I do remember that, yeah.
Speaker 1:Right here, but it won't hurt you when you're alone and we'll be there with you finding ways to stay so long.
Speaker 4:And shout out to Jethro Tull from Blackpool. I knew we did an album. Somebody from Blackpool that was big. Yes, jethro Tull. Oh yeah, robert Smith from the Curious from Blackpool. Graham Nash, screwdriver yeah, forget, I even brought that up. Yeah, jeffrey Hammond, bass player for Jeff Rotel.
Speaker 3:This is a lie, but it won't hurt you when you're alone it.
Speaker 4:it won't hurt you when you're alone, it will be there. It's kind of a positive song, in a way. Like this is a low, but it won't hurt you.
Speaker 3:Yeah.
Speaker 5:Only a heartbreak.
Speaker 3:Yeah.
Speaker 5:Right Linda.
Speaker 3:Anyhow, if you think that I'm just sitting around waiting for you, you can forget it.
Speaker 4:That's right, finding ways to stay solo. Linda, she's putting on pepperoni pizza at the mall. Oh, this is kind of a cool ending. It was a little intense at times, but I came around. All right, we got one more. Oh yeah, lot 105. I came around, alright, we got one more. Oh yeah, lot 105. This is like a Sprockets little vignette. There's a lot of la la lying going on here.
Speaker 5:Should we start the top three? Yeah, what's your?
Speaker 4:top three. What's your number three?
Speaker 5:My number three, coming in London Loves.
Speaker 4:London Loves. Okay, that was a good one. I like that. That's a good number three. I'm going to say this Is A. Love is going to be my number three Okay, because I got a couple more. That was a. Is going to be my number three, okay, because I got a couple more. That was a really great song. It was good yeah. But I got a couple others that I liked just a little bit better. Okay, what about your number two?
Speaker 5:I'm going to say Clover Over Dover. It's just mesmerizing. That could be up there with a lot of good 90s songs. Yeah, I agree, it's Mark Knopfler-esque. It's great, absolutely.
Speaker 4:Yeah, it's your two. My two is going to be London Loves. Nice, it just struck me at the right time. That could probably be my number three, but today it just hit me the right way. So I'm going to say London Loves is my number three, but today it just hit me the right way. So I'm going to say Leonard loves, my number two.
Speaker 5:Nice. I have always had this Is A Low starred on this album and I listen to it occasionally with a bunch of other sad English songs together and it's great.
Speaker 3:Yeah, it kind of gets you right there.
Speaker 4:Yeah, it gets you. Yeah, yeah, I guess you really have to feel it. You know like it wasn't quite there for me, but I'm sure I don't know. It's been a long time since I've gone through the heartbreak thing, but nevertheless I'm going to say my number one is going to be Clover over Dover Nice, that's a hell of a song right there.
Speaker 5:Makes you feel good.
Speaker 4:Yeah, I'm imagining being on the cliffs of Dover and there's a mood to it.
Speaker 5:That's right, yeah.
Speaker 4:Yeah, and you feel like you're there.
Speaker 5:He does a good job of describing the atmosphere.
Speaker 4:Yeah, there's a little bit of danger because of the drop off cliff and all that.
Speaker 5:Yeah.
Speaker 4:Yeah, it's, it's very charming.
Speaker 5:He's a good storyteller.
Speaker 4:He is he's a good writer.
Speaker 5:The band is great yeah.
Speaker 4:And they had four other songs that you know Skyrocketed, you know so.
Speaker 5:Some on the album are Not, you know, palatable again Potentially, but that's okay.
Speaker 4:And fillers too. Deck Collector, what was?
Speaker 5:that yeah, lots of fillers, yeah a lot of 105. I mean yeah, it was a good deal.
Speaker 4:But yeah, it's a solid album 16 tracks, good call man.
Speaker 2:Very good, Good call yeah.
Speaker 4:We're coming up on our third year. We're going to be winding up the 90s soon. I think we've got another in the chamber, even though this is uh. Yeah, this is. We're at the. You know we're at the the end of the third year, but we're going to do a couple more nineties and then uh, and then uh see where it goes. So thanks for listening. Deeper and deeper Any uh, any last thoughts.
Speaker 5:Tim Just getting way down, you know, get out there um do your thing All right, all right Thanks.
