The Greatest Non Hits
🎶 Hey there, music lovers! 🎵
Let's take a trip down memory lane and dive into the endless universe of overlooked songs from our past! 🌌 In this age of music streaming, have you ever played a game with your friends where you listen to the deep tracks of old albums and debate which ones were the most underrated? Well, guess what? Chris and Tim have invented that game, and it's an absolute blast! 😄
Whether you're walking your dog, driving your car, or taking an early morning run, 🎸🎙️ these two music enthusiasts will take you on a journey through each studio album we all know and love. Tim will even serenade you with a little guitar, while Chris drops some mind-blowing knowledge about the songs.
But here's the best part – they'll listen to and rank the top 3 non-hits from each album! 🏆 It's like discovering hidden gems that never got the recognition they deserved. And don't worry, there's plenty of comic relief sprinkled throughout each episode to keep you entertained and laughing your socks off! 🤣
So, if you're in need of a musical escape and want to explore the uncharted territories of underrated songs, join Chris and Tim on "The Greatest Non Hits" podcast! Trust me, you won't regret it. 🎧✨ Let's celebrate the unsung heroes of music together!
#TheGreatestNonHits #UnderratedGems #MusicEscape
The Greatest Non Hits
Beck: Midnight Vultures
all right, thank you for listening to the greatest non-hits. I'm chris, and playing the song uh, milk and honey from beck's midnight vultures album is my co-host, tim Midnight Vultures. It's the seventh studio album by Beck and it came out November 16th of 1999. I guess it was DGC Records. Looking at Wikipedia, and this is a wild one For me, it's a party album. Is what we think of this?
Speaker 2:as.
Speaker 1:Kind of crazy, kind of out there. There's been a lot of criticism about the album being soulless and things like that. I kind of get where they're coming from in a lot of ways, but I mean I also see like a lot of good in this album as well. It's super creative. The one thing that is, in my opinion, impressive about it is the personnel. I mean Beck, but some of the other guys that performed on the album. They play a lot of different instruments, like, for example, I mean Beck alone. He does vocals, he's a producer Keyboards, guitar synthesizer, vocoder, choir vocals, bass, synthesizer, backing vocals, hand claps, marimbas, harmonica, acoustic guitar, bass.
Speaker 1:There's such a wide range there. Roger Joseph Manning Jr plays synthesizer, piano, tambourine, shaker, clavinet, vocoder, percussion all on down the line, electronic drums, keyboards. It's just such a non-traditional personnel lineup of a recording act. You know so it's justin meldell, johnson bass, backing vocal, shaker percussion, smoky hormel guitar, joy warren warrenker drums. There's like a ton of people like that do mastering, mixing horns, banjo there's a banjo part in there. Her peterson does that. So there's a bunch of stuff and it gets funky later on and uh, it just uh. There's a lot and I think it's it's kind of a good album for this kind of a show because, as you know we listen.
Speaker 1:All the songs on the album rank their top three non-hits. So we're going to have an interesting time today determining that I've got a couple of favorite non-hits. Get Real Paid comes to mind. Milk and Honey is usually a tell on what Tim is going to choose. Um, there's a couple other ones in there and uh, of course, we're going to be goofing off over the whole. You know, throughout the whole thing, as we listened to songs at the end uh ranked non-hit.
Speaker 1:So again, listeners, thank you. We're coming up on our. We're going to be beginning our fourth year in several weeks from now. So if you're listening to this in the future, as you know, if you've listened to any of the previous podcasts, you know we've done the 70s in 2022. We did the 80s in 2023. We did the 90s in 2023, we did the 90s in 2024, but I mean, technically, our year anniversary is february 16th.
Speaker 1:I think was when we launched our, our first, uh, download our first episode. So the the line of order, the chain of command, is that we do some albums for the 2000s. I think that would be cool. The thing is, when I listen to an album like this, about two or three years ago, I probably would have said no, I wouldn't have been able to take it. And now my net has spread pretty wide and it's a good thing, and so I mean every, you know the trope is that the 2000 suck. I, you know I'm going to give it. Maybe I didn't listen to everything, and so I think it'd be good for us to do that.
Speaker 1:So we're uh, we're heading in that direction, but in the meantime, we're going to using a few other 90s episodes before we get there. Nevertheless, what can we say about this album? Well, interesting album cover. It's like there's a lot of sex in this. I mean, I'm not gonna lie, it's just like. It's just somebody like in like leather pants, and it's like there's another guy like squeezing something out of a tube and it makes the shape of like a hand on a crotch of some sort. I don't know, it's weird. So this is considered funk, rock, alternative rock, hop, disco, r&b. Yeah, it has all those things. It's good like that. They recorded this in LA. Shout out to LA. There are fires going on there, by the way, as we're recording this. Shout out to LA if you listen. We're with you, we really are. We hope you're safe, we hope you're well. And my man, tim, just put his guitar down. He's getting set up, he's adjusting, he's adjusting his chair, I'm adjusting his mic, his volume. How you doing, bud?
Speaker 1:Tasty waves here, that's right, let's get into it. This is your wheelhouse.
Speaker 4:A lot of shout outs, just excellent party time music, you know it really is. You've been at a party or two of this is in the background excellent, excellent well, uh, yes, I used to have some parties in mom's basement and play foosball and listen to this. Shout out to Jeff for putting this on. Made me love the album even more. Shout out to the perfumed blokes on the Giza line. Bed and breakfast, getaway, weekenders, sports, illustrated moms, chicks with lazy eyes. Shout out.
Speaker 1:Tea drinkers, oh man.
Speaker 5:Yeah, you're crazy, I like you yeah.
Speaker 1:Yeah, no, but shout out to all those people.
Speaker 4:That's what I say it's a party, feel it really is.
Speaker 1:The lazy eyes Shout out Especially yeah.
Speaker 5:Hey bud, let's party.
Speaker 1:Okay, all right Should we get into it, let's get into it. This is the first one we're going to call it a hit. It's Sex Laws, because it's a single. The singles are the first three songs Sex Laws, nicotine and Gravy Mixed Business. And here we Go.
Speaker 4:So there's no sex. I mean, how do you not have sex with me? You got a little arrested development here.
Speaker 1:Okay, yeah.
Speaker 4:Good start. Yeah, tobias shout out, never nudes.
Speaker 2:What's up? Good drama, great look.
Speaker 1:This is back drumming, right, yeah, among other people. I mean, it's so. There's, like I said, man, there's so many different people in this Personnel. You've got what was that? Roger Joseph Manning? I think he played some percussion.
Speaker 4:Tea and Sympathy.
Speaker 1:Shout out to the tea drinkers again. Beck, of course, plays drums on this Actually maybe not Joey Werenker Is in drums On track 3, 7, 8, 10. There's two different people doing. Are you crying?
Speaker 3:I'm not afraid to. Are you crying?
Speaker 4:I'm not afraid to cry.
Speaker 3:Are you crying?
Speaker 4:What's that?
Speaker 5:Neptune's lips taste like fermented wine. Work it, work it, baby.
Speaker 1:Shout out to Roger Joseph Manning playing the shaker right now.
Speaker 4:Oh wow, he's really doing it. Oh, hepatitis contact lens.
Speaker 6:Roger Joseph Manning.
Speaker 4:Defile sex, sex logic.
Speaker 1:Oh god, shout out to Wisconsin.
Speaker 3:Oh god, oh god, oh god, I'm afraid to cry.
Speaker 4:What's this halfway home all about, just?
Speaker 3:go home. That's your home. Are you too good for your home?
Speaker 1:Answer me, oh, this guy, God the banjo.
Speaker 5:It's the banjo guy I'm going to give a shout out to him Giggity giggity g banjo, it's the banjo guy. Yeah, give a shout out to him Giggity giggity giggity Herb Peterson.
Speaker 4:Herb's a man, I'm a man.
Speaker 6:I'm a man.
Speaker 3:Slip off, go home.
Speaker 4:Herb is going off, go to your Betty Ford clinic and cry Good little trumpet in this. Little overlays, little details, simple lines Intertwining.
Speaker 3:Little touches, little touches, little details.
Speaker 1:Are you trying to say that they should call this lick my love pump?
Speaker 4:take your bulbous areas and scooch along there oh man what hi shout out to the moms out there.
Speaker 6:Shout out to the moms out there Now, feel, feel in the heart, feel, feel in the heart. I thought I saw a booty cat, whoa, boldly go where no man has ever gone before. There's got to be a.
Speaker 1:All right, this is Nicotine and Gravy. Another single Less, I think, less recognized than Sex Laws For sure. Less, I think, less recognized than sex laws for sure.
Speaker 4:I love all the futuristic electronic stuff infused with guitar and bass and drum, though great, it's almost like incubus, but you piece, meals it together, kind of like we do with these right, these little clips, you know I agree what do you think?
Speaker 1:how affirmative day. Okay also, you have like really big eyes whoa.
Speaker 4:Whoa Cassava melon. Cassava melon doesn't exist anymore.
Speaker 6:I'll do the laundry. He pulled over. He pulled over French fries and gravy sir.
Speaker 4:Poutine.
Speaker 6:Yeah, sure.
Speaker 1:Yes, sir.
Speaker 4:Yes sir.
Speaker 1:Cassavas are real fruit, are they?
Speaker 5:They're like Feel it down in my plums, feel it down in my plums, feel it down in my plums.
Speaker 2:What the fuck is he talking about?
Speaker 1:What'd you say, man? I'm afraid they don't exist.
Speaker 3:I just want to see what a double heart is like. I don't know what part of it.
Speaker 6:Jesus, you're crazy.
Speaker 4:You're crazy I like you, I don't want to die tonight. What that's such a random lyric?
Speaker 2:it's it's like surfing in some oil spillage that's Beck right there.
Speaker 4:This these go to 11. Let's back right there.
Speaker 5:This. These go to 11.
Speaker 4:Time to get creepy All right. Pick your bulbous areas and scooch along. It's lazy, it's doing crazy. She looks so Israeli. Yeah sure, yes, sir. French fries and gravy sir.
Speaker 3:Poutine yes, sir, he's already.
Speaker 1:This is a borderline disrespect to the listener.
Speaker 4:It's adding we're making Beck proud. I think so. Yeah, you can listen to it on your own. I like it. We're menage a twine.
Speaker 1:Yeah, we're menage a cacha, it's a twine. It's just back in the two of us.
Speaker 2:What the fuck is he talking about?
Speaker 1:Yeah, exactly, maybe I need to sit. The next couple plays out.
Speaker 4:This is a nice little interlude here. There's nothing more to be added.
Speaker 3:It's the Egyptian magician. Yeah.
Speaker 4:This is awesome. This is way cool.
Speaker 6:Alright, alright, alright. Affirmative Dave All right, all right, all right Affirmative Dave.
Speaker 3:What.
Speaker 1:Call the fire department. It is out of control. Oh, wow man, that was, that was sweet. Yeah, that was. Wow, man, that was sweet. Yeah, that was good man. That's the best I've ever heard that song. I've heard it a couple times now. Why is it now sticking with me? You gotta give us a couple. All these albums. They need time to get into you.
Speaker 6:It's business with leather, christmas with leather.
Speaker 4:Oh, with Heather, Was that Heather?
Speaker 1:Yeah, mixed business.
Speaker 6:I was talking about me.
Speaker 5:What a freak.
Speaker 6:Alright.
Speaker 4:Colamping, rising to the canteen. Alright, alright, I love lamp.
Speaker 3:Cold lamping.
Speaker 6:Ian Simmons is a legend, yeah sure, rewrite your diary Champagne. Champagne.
Speaker 4:Who wants to pour champagne on a honeybee?
Speaker 2:Vintage champagne.
Speaker 6:That's right, that's right, baby Hot tub.
Speaker 4:Heather, shout out Get that homework done.
Speaker 6:I was talking about me.
Speaker 4:Shout out to the lesbians screaming.
Speaker 1:Wisconsin. Nymphomaniac shout out oh.
Speaker 3:God, oh God.
Speaker 1:Oh, oh God, oh God, oh, it's getting funky now.
Speaker 4:Oh, mistress, what's a mistress? C-o-d Call on demand. Yeah.
Speaker 1:Yeah, okay, come on demand.
Speaker 4:Vintage champagne. Let us celebrate, yes, the brooch, reunion of the brooch. The boys what about the men? I'm a man, I'm a man. I like the little electronic touches. A man, I'm a man, I like the little electronic touches.
Speaker 6:Yeah, Touches you know little touches, little details. All right, all right, all right, All right, all right, all right. Well, I'll start my own business.
Speaker 3:How hard can it be?
Speaker 6:Bzzz, bzzz, bzzz.
Speaker 1:We'll see who brings in more honey. Ah, I see what you're doing $6,300 suit Come on.
Speaker 4:That's a lot of business for Job.
Speaker 1:Oh yeah.
Speaker 6:This is an intro to get real paid. I think he comes from a dimension that's big on musical theater okay, we'll pass well here we go.
Speaker 5:This is get real paid don't you wish you were flawless like me? A towering inferno of physical perfection all right, thank you.
Speaker 4:Thank you, bender. Yeah, exactly.
Speaker 1:That's a good intro, man, because this is all synthy. You know this is where this is going. All right, what?
Speaker 4:I like this one, though it's spacey.
Speaker 1:Oh yeah, affirmative though it's spacey.
Speaker 3:Oh yeah, Affirmative, Dave.
Speaker 4:We didn't ask you how. I wonder what Saul thinks of this. Shout out to the dads with pictures in their wallets.
Speaker 1:It kind of has like a horror movie vibe to it.
Speaker 4:Parental advisory this album Potentially, I'm not sure. Parental advisory this album Potentially, I'm not sure. Saul's been pretty. We never. Yeah, what's Saul? He's been pretty quiet. He's got a soul-fame chest.
Speaker 3:I went to the Empire State Building.
Speaker 1:No, that's not what we asked you. Do you like this? How are you feeling about it?
Speaker 3:Hi, oh, hello.
Speaker 4:Hello, he's on the cell. He's on the cell. Yeah, he's on his cell here.
Speaker 6:Okay, he's calling in like butter and those legs and those sparkling, why?
Speaker 2:are you going to the airport flying somewhere? Real paid? Why are you?
Speaker 3:going to the airport Flying somewhere.
Speaker 4:Real paid.
Speaker 1:Get real paid. This is like Revenge of the Nerds, like their thing at the end. I don't know why they want it, cause their daddy's always on it and he know just how to flaunt it. He got pictures in his wallet and he wanna be your lover?
Speaker 2:Does he look just like my mother? Does he cover you like butter and just leave you alone? I don't know where, from where?
Speaker 3:We lambda, lambda, lambda, and Omega Moon there's so much to do.
Speaker 4:Yeah, okay, you're pregnant again. It's Thursday.
Speaker 5:They're hands, they're smooth. Thursday the head Smooth, creamy, delicate, yet masculine.
Speaker 1:That's kind of cool of the voiceover.
Speaker 3:These babies can go off.
Speaker 1:I kind of like the fact that it's soulless. It's kind of got like a. It's actually like a very calming kind of. This is really chill.
Speaker 4:Downers. He's got downers.
Speaker 1:Yeah, what qualifies to touch your ass? I wonder Touch my ass if you qualify it's. Is that what?
Speaker 4:it is. The ending is really really cool, oh gosh, Okay.
Speaker 6:I didn't look good.
Speaker 1:Alright, it's Hollywood Freaks.
Speaker 6:Like butter and those legs and those sparkling stockings Again, butter, butter, hot milk, tweet my lip. Or champagne, or rippo Chalmers, go cripple. Champagne, champagne, evaporated meats what a freak.
Speaker 2:What the fuck is he talking about? What the fuck?
Speaker 6:is he talking about?
Speaker 4:Pants and jeans. Hollywood freaks on the Hollywoods.
Speaker 3:What you say, man, what you think, I got some rocks and diamonds.
Speaker 6:I wanna unload them. What the fuck is he talking about?
Speaker 1:Beck is slaying it now.
Speaker 6:What is going on?
Speaker 4:He needs some of the finer things.
Speaker 6:Feeling or thinking.
Speaker 3:That feels, that feels better.
Speaker 6:I was talking about me, but She'll buy you Hollywood.
Speaker 4:Casting those spells. Oil Did you say oil.
Speaker 3:I think so Okay.
Speaker 2:It's like surfing in some oil spillage. Choose these eyes, I guess.
Speaker 1:There's a lot going on in this album, man. There's a lot of different genres. There's rap, synths, shop it all. Navy, shop it all. Man, there's a lot of different genres.
Speaker 3:There's a lot of rap. Yeah, scents.
Speaker 4:Shop at.
Speaker 1:Old Navy Shop at Old Navy.
Speaker 4:What he wishes. He was a lady.
Speaker 1:Jock and my Mercedes. I'm a man.
Speaker 2:I'm a man.
Speaker 4:A lot of that going on in Hollywood.
Speaker 1:Tropical oils turn up the heat.
Speaker 6:Till the swimming pool boils. He's gone to 11.
Speaker 4:Excuse me, russell but I believe I requested the hand job. Is that poor taste? Eh, with the fires and all I don't know. Oh, hollywood, people don't yeah these babies can go off. Is that the meters Don these babies can go off? Is that the meters Don these babies can go off? The meters going off. Yeah, smart meters. All right, we're on peaches and cream Peaches and cream.
Speaker 1:What your left hand do, Don't tell your right hand baby.
Speaker 3:Don't tell your right hand, baby, they're hands.
Speaker 5:Brothers don't shake hands, brothers, gotta hug make a garbage.
Speaker 3:Man scream it's such a dangerous dream they're smooth, creamy, delicate, yet masculine pour some sweet cream on it.
Speaker 4:Shout out to the sweater wearers.
Speaker 3:Big hands.
Speaker 1:Shout out to the turtleneck wearers out there it's a cold one, bundle up.
Speaker 4:It's a cold dream. It's only a dream here, right, alice?
Speaker 2:Oh what the fuck is he talking about? Fuck?
Speaker 3:What the hell? I'm your dad's brother, aren't I Lost? Lost, you're best.
Speaker 6:Hop on the good foot and do the bad thing. I believe it's menage a trois. I love lamp, I love lamp, I love lamp.
Speaker 3:I love lamp.
Speaker 4:A trend I love lamp.
Speaker 6:I love Leia.
Speaker 4:I love Sit there and he's gonna put that thing on your melon, okay.
Speaker 6:Just a trim, don't buzz me, alright.
Speaker 1:Trimmed and burning baby. That's what it's all about. Yeah.
Speaker 4:Beck has an extensive collection of name tags and hairnets. I would say Probably. A lot of songs revolve around him. I mean, he's a virtuoso. Yeah, really plays 45 instruments.
Speaker 1:I didn't realize he could rap that well too. He raps really well. He does everything. That's the wild part it's like the only good white rapper, yeah and he produces all this too, so it's like there's a lot of horns here.
Speaker 4:Now this one. I like this one a lot.
Speaker 1:Good drummer, there's a xylophone in there.
Speaker 4:It's a good drummer, good look Great, look Good drummer.
Speaker 2:Good drummer oh.
Speaker 3:Oh.
Speaker 1:Shout out to all the bushes out there Last name Bush King $6,300 suit Got it dry clean.
Speaker 4:Oh, what are those billionaire weapons doing Out of control?
Speaker 1:Like that yeah.
Speaker 4:Yeah.
Speaker 5:Work it, Work it baby.
Speaker 3:Hold on, hold on.
Speaker 4:It does sound like a train song, doesn't it?
Speaker 6:The harmonica. Yeah, yeah, yeah.
Speaker 3:Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah yeah.
Speaker 1:That was unnecessary.
Speaker 4:That's a train. That's a train right there. You guys are making me look like Trina Thod.
Speaker 1:Here I was A little touch of details, a little rock out here.
Speaker 3:Good use of xylophone, that's right. Baby, where do?
Speaker 1:you live, baby? Where do you live? That's right, baby.
Speaker 4:Where do you live, baby?
Speaker 6:Good drummer, great look, good drummer yeah.
Speaker 4:Good xylophonist Good.
Speaker 3:Very good Good guitarist Just saying let it out, give it some air man that was.
Speaker 2:That was beck's guitar solo dear near near crushing it I only came here to do two things, man kick some ass and drink some beer. It's like we're almost out of beer.
Speaker 1:There's a guy named Smokey Hormel who plays guitar on this track, I think. Smokey, shout out to Smokey this guy, roger joseph manning, is playing the vocoder on this track as well plays on, play the mixed business too, I think that that kind of thing whoa or maybe it's that Is that a theremin. Yeah.
Speaker 4:Use therebin Never been touched.
Speaker 1:The clavinet? Yeah, the clavinet was used in there somewhere, roger.
Speaker 3:Joseph Manning was all over that. We'll see who brings in more honey.
Speaker 1:Manning's playing guitar on this one. Oh no, he played guitar on the last one. He's playing keyboards on this one. Sorry, beck plays harmonica on this at some point. What plays guitar on this, in fact? Does this kind of sounds like White Stripes? Yeah, I like this album, this one.
Speaker 4:Cold cola cans.
Speaker 3:Do it for free.
Speaker 4:This sounds like bring a poor boy to his knees, yeah there's like uh, class warfare stuff going on smell the what in the club tonight vt like chlamydia dreams disappear, dreams disappear.
Speaker 1:This is so great I know, I'm still thinking about how VD smells Like, is it Like? Kind of smells different than like the clap.
Speaker 4:You think I'll get some rocks, and diamonds. I want to load all my computer all right, all right, all right affirmative day and shoulders, knees and toes.
Speaker 1:Knees and toes pour some sweet cream on it.
Speaker 4:I take head, shoulders, knees and toes. Knees and toes. Okay, you can have those.
Speaker 3:Coming down a little bit here.
Speaker 4:Ah but we're still on milk and honey, so honey, I love the outro to this. It's kind of cool you're crazy.
Speaker 5:I like you, but you're crazy.
Speaker 4:Double guitar fill here. Listen to that guitar fill in this, yeah.
Speaker 6:Bzzz. We'll see who brings in more honey Bzzz.
Speaker 1:That was a little harsh for the tone. This is getting right.
Speaker 2:Some kind of like effect on the two, two, two, two, two, two, two, two, two two two, two, two, two, two, two, two, two, two, two, two, two, two, two, two, two, two, two, two, two, two, two, two, two, two, two, two, two, two two two, it's all going away, oh wow.
Speaker 1:Yeah, we don't need that. All right, so that was a beautiful song.
Speaker 4:This is beautiful, beautiful way. Yeah yeah, this song reminds me of his the later stuff that he won a Grammy for and his Lost Cause. This song definitely has the mood of the Lost Cause album.
Speaker 1:I'm not looking at any Wikipedia or anything, but just from memory. I think he got divorced in 2002. The album that came out then was kind of about that fallout.
Speaker 4:Oh, sea Change, that was Sea Change. It's a Sea Change-type change. This is a sea change type song, which is a previous album.
Speaker 1:Yeah, yeah, you were talking about something after what I was talking about, cause he went to Grammy like in 05 for that uh acoustic album that he did Right.
Speaker 3:Morning phase 2014.
Speaker 4:We haven't done Odele either. It's a good album.
Speaker 1:Yeah, it's probably the most popular yeah. Maybe the most critically acclaimed too. This one is kind of up there. I think this is kind of under the radar, don't you think?
Speaker 3:It's just can't be.
Speaker 1:It's not for the masses, you know.
Speaker 4:I think, to his niche fans. It is really there's.
Speaker 3:I'm not a super fan but I can.
Speaker 1:I can see myself getting used to it. Just takes a few listens right and like once you know what you're looking for, it's a good, it's a nice standby.
Speaker 4:Well, this album is supposed to. He admitted, this is supposed to be a party album, it's just yeah. And then you need a song like this on there to bring it down a little bit. Well, sometimes you need a party beat, brought down.
Speaker 1:You can't just go up, and I mean it can, but a lot of times it's good to evan flow with the music in the background.
Speaker 4:Simple lines, simpler, maybe a little simpler, less intertwining yeah it's a fine line between clever and stupid. Yeah, it's true, that's another line for that.
Speaker 1:You know Spinal Tap. But yeah. Lick my Love Pump. I think it was the song where this is this album's Lick my Love Pump.
Speaker 3:What'd you say, man?
Speaker 4:The slide guitar is really good too.
Speaker 1:I gotta know who is on slide guitar here. Pedal Steel is Greg Lise L-E-I-S-Z, or maybe it was on Milk and Honey that he played that. This is true.
Speaker 6:This moment came to me in a dream.
Speaker 1:Beck is playing back vocals back vocals.
Speaker 4:Yeah, like background, like you know, like the harmony, the raga probably a, a low version, a high version, a mid version, he could high version a mid version Could be doing all of them.
Speaker 1:Feeling or thinking that would be pedal. Right, this is pedal guitar, pedal steel, jd and S. Oh god, it's so beautiful. Yeah, we're past the banjo phase of the album. All right, that was kind of cool. We're kind of getting towards the end. We got three more. Next one is well, this is like an eight. Okay, this is like an eight-second thing. Intro to Pressure Zone. Let's just go straight to Pressure Zone. Okay, here we go. We're bringing it back up.
Speaker 6:The countryside is overgrown. There's a lighthouse in the south Wrestling with butchered girls. She don't ever change her clothes. Masterpieces liquidate. Choosing size, I guess I can sleep inside a box A hundred years. Choose his eyes, I guess Lizards and their pressure sound what Hi Hi, with Almighty God as my witness, I am not an angel dust dealer.
Speaker 3:All the other mothers, I would never dream of asking you. These babies can go off.
Speaker 4:What are you? Some kind of freak? I like this one. It's growing on me a little bit.
Speaker 1:Yeah, it's a little bit more uplifting.
Speaker 4:Now it's a little raw, more uplifting.
Speaker 6:That one's a little ragga here, yeah.
Speaker 1:It's got some piano with some synths back and forth.
Speaker 4:It's got a little bit of Spicoli in there, yeah.
Speaker 5:Hey bud, let's party.
Speaker 3:Whoa, it doesn't sound like his solo.
Speaker 2:His solos are Like butter and though.
Speaker 1:Solos are like butter.
Speaker 4:Oh, it's like butter.
Speaker 1:What do you think?
Speaker 3:Quagmire, giggity, giggity giggiggity, I see you're a back fan.
Speaker 1:Oh really that was kind of cool. All right, we're at the last one, deb deborah. All right, we're at the end, deborah beverly, oh yeah, donna we all know where we were at when we met our loved, our one and true love that's baby making music.
Speaker 2:That's what that is.
Speaker 1:I was just thinking that yeah, come on, you're turning it's classy, turning our pool over Fleased.
Speaker 4:You got fleased.
Speaker 1:Yeah, fleeced you got fleeced yeah, I'll get him every time. Chew on it, chew ON IT.
Speaker 5:It's Harba Melon. Feel it down in my plums, alright.
Speaker 6:I'm a man. I'm a man. What, what, what? I believe it's menage a trois.
Speaker 3:Touch. You know the little touches, little details. Girl, I only want to be there with you cause you got something that I just can't get away.
Speaker 1:I'll pick you up late at night after work. He says his back man, he's good, he's got a good voice, he surprisingly does.
Speaker 4:It's kind of annoying how good he is. Sometimes he says his back man, he's good, he's got a good voice.
Speaker 6:It surprisingly does it's kind?
Speaker 4:of annoying how good he is sometimes.
Speaker 1:I know.
Speaker 3:Well, let's do it then.
Speaker 1:All good Shout out to Debbie Harry.
Speaker 3:Also, you have, like, really big eyes. Got to get with, get to get with. I just got to get with you, girl that you never I wanna get with you, all of you and your sister. I think her name is Deborah, oh yeah, I just dig songs about rainbows.
Speaker 6:Get with you, oh yeah, I just dig songs about rainbows.
Speaker 4:Oh, yeah, oh yeah, I'll stop Okay.
Speaker 1:No, I'm, I'm, I'm, I'm He-Word.
Speaker 4:Pour some sweet cream on it. It's a little bit like. It's a little bit like Lenny Kravitz right now. You're crazy.
Speaker 5:I like you, but you're crazy, you're crazy.
Speaker 1:Yeah, it's Lenny Kravitz, it's Prince, a little bit of James Brown kind of fly in the family stone. Yeah, sure, yes sir, are you saying yes, sir, yes, sir, yeah, sure.
Speaker 6:French fries and gravy poutine.
Speaker 5:You're crazy you're crazy, I like you.
Speaker 3:I like you.
Speaker 6:I'm a man Now feel feelin' in the heart Okay.
Speaker 1:All right, yeah, man, that's.
Speaker 4:I think that we're, we're at the end Wow, that's it. That was great.
Speaker 1:That was a good album, man. Let's, let's, get into our top three. What are you thinking for your number three? Oh, the very the first three songs are out from all the way, from get real paid at the beginning to deborah. Okay, what are you thinking?
Speaker 4:um number three beautiful way. I think that had just the right type of feel to sort of cut the album in half in a way uh, in a good way sort of a all the you know, all the bangers are on one through nine.
Speaker 1:There were a ton of bangers on this. I'm going to say my number three is going to be Deborah, the last one that wow, really yeah, I didn't think, okay, yeah deborah, the last one, that wow, really, yeah, I didn't think okay, yeah, well, I mean I, I mean I really appreciated the the dexterity of yeah, beck's talents. You know, on that, like his voice was really the rounding it out soulful and uh, and now I see that he's got talent as if I didn't need to already, yeah, but okay, that's my number three all right, my number two is get real paid.
Speaker 4:Yeah, that song kind of you know grew on me a lot this, this listen around it's very catchy.
Speaker 1:It's four minutes and 20 seconds on the nose, okay, okay.
Speaker 4:Yeah, yeah, really catchy song.
Speaker 1:That was my number two as well, I was.
Speaker 4:I agree.
Speaker 1:I think it's uh, it had some really good hooks in it and it flowed and it was super like aggressive and confident and it was great little solo yeah.
Speaker 4:It's got it's kind of like the rocket, like a weird spacey.
Speaker 3:Leaves of the Sea solo.
Speaker 1:Yeah, it brought a little bit more R&B to Thomas Dolby.
Speaker 4:Right interesting.
Speaker 1:It's more soulful of a Thomas Dolby kind of a thing. Oh, wow. Marrying soul and technology.
Speaker 4:Blinded by the science yeah, wrapped up like a douche. Blinded by the science. Blinded, yeah, wrapped up like a douche. Blinded me with science. Okay, dolby, yeah, all right, well number one for me. You know it's gotta be milk and honey, Milk and honey. And then they really slowed it down at the end and it kind of almost got all like Rosebuddy like Citizen Kane.
Speaker 4:Rosebud yeah, it's like you can have it all, but then it can be stripped away from you, maybe with all his nonsensical lyrics. I don't know, I don't know, I don't know what he was getting at.
Speaker 1:Yeah me either.
Speaker 4:But it was an excellent song, it was.
Speaker 1:It was an excellent. It is an excellent song and I mean I kind of wanted to go there. You're going to be different, aren't you? To be different? And just to bring another song into this, I'm going to say Peaches and Cream, just to bring another song into this. I'm going to say Peaches and Cream. It's my number one. Nobody chose Hollywood Freaks. Hollywood Freaks is such a good song too, man. Oh yeah, well, that's the one that had the bongos and percussion.
Speaker 4:Yeah Well, Peaches and Cream. Peaches and Cream Also very catchy.
Speaker 1:Yeah, it was just so catchy, a lot of overlays yeah, a lot of overlays, and all that, yeah, exactly. I liked the. It was playful.
Speaker 4:It was a little raunchy. On another day, Peaches and Creams could be my number one.
Speaker 1:Yeah, it's creative and you can go places with it and it makes me hungry a little bit, yeah.
Speaker 4:Yeah.
Speaker 1:Well, let's get some poutine, maybe some milk and honey, some gravy and all that stuff and we'll call it a day.
Speaker 4:Let's leave our audience with a clip maybe yeah, let's do it our plump hindquarters squared up and pointed right at the camera alright, I think that was apropos.
Speaker 1:Alright, take care.
